DIGITAL FOOTPRINTS MONITORING OF HIGHER ART EDUCATION APPLICANTS TRAINING
PDF (Ukrainian)

Keywords

digital footprint
pedagogical monitoring
art training
higher art education applicants
temporal discreteness
art and pedagogical conditions

How to Cite

[1]
M. O. Pichkur, L. I. Poluden, Demchenko I. І., and H. I. Sotska, “DIGITAL FOOTPRINTS MONITORING OF HIGHER ART EDUCATION APPLICANTS TRAINING”, ITLT, vol. 94, no. 2, pp. 128–149, Apr. 2023, doi: 10.33407/itlt.v94i2.5205.

Abstract

Art training of specialists of various art specialties is described to be provided by pedagogical, professional art, design and architectural educational institutions. It is perceived as a unified system that functions on the synergistic basis of the integration of art and pedagogical traditions and innovations and is developed in unity with the evolution of various types and genres of classical and modern art. Thus, the article outlines the objective factors that lead to the development of the methodology of its organization on the basis of information and technology under both favorable and socially unreliable conditions. Taking into consideration the contemporaneity, the temporal discreteness of the art and pedagogical conditions of fine art students’ training is determined as the one that arose due to the COVID-19 epidemic and the war in Ukraine, and caused the disruption of educational process and made teachers organize it in a mixed mode preferring online technologies. Proceeding from the information mentioned, the necessity to develop an informational profile for fine art students, based on the application of their digital footprints, is actualized. The authors developed an algorithm for the collecting, structuring and analyzing digital footprints of the would-be art specialists’ training, which is based on the clarification of the “digital footprint” concept, its art and educational context and the main placement platforms. The pedagogical value of monitoring digital footprints at each of the stages of specialists’ art training in temporal discrete, art and pedagogical conditions was verified. It was based on the statistical analysis of the collected data on the electronic portfolio evaluation, the quality of training in drawing and pictorial art of the students on education and professional program of bachelor degree, as well as the results of the problem-based online discussion in which teachers and students participated.

PDF (Ukrainian)

References

Y. Surmelioglu & S. S. Seferoglu, “An examination of digital footprint awareness and digital experiences of higher education students”, World Journal on Educational Technology: Current Issues, vol. 11 (1), pp. 48–64, 2019. doi: 10.18844/wjet.v11i1.4009.

Mar Camacho, Janaina Minelli, Gabriela Grosseck, “Self and identity: Raising undergraduate students’ awareness on their digital footprints”, Procedia Social and Behavioral Sciences, vol. 46, pp. 3176–3181, 2012. doi: 10.1016/j.sbspro.2012.06.032.

J. Hinds & A. Joinson, “Human and Computer Personality Prediction From Digital Footprints”, Current Directions in Psychological Science, vol. 28 (2), pp. 204–211, 2019. doi:10.1177/0963721419827849.

N. Songsom, N. Pilsook, P. Wannapiroon, Ch. Fung & K. Wong, System “Design of a Student Relationship Management System Using the Internet of Things to Collect the Digital Footprint”, International Journal of Information and Education Technology, vol. 10, no. 3, pp. 222–226, 2020. doi: 10.18178/ijiet.2020.10.3.1367.

Baoqi Wang, “The Application of Modern Computer-Aided Technology in Fine Art Education”, Security and Communication Networks, 2022. doi: 10.1155/2022 /8038178.

Maureen McDermot, “Digital footprints: Creation, implication, and higher education”, FDLA Journal, vol. 3, аrticle 11, 2018. [Електронний ресурс]. Доступно: https://nsuworks.nova.edu/fdla-journal/vol3/iss1/11 Дата звернення: Січ. 05, 2023.

K. Shiells, N. Di Cara, A. Skatova, O. Davis, C. Haworth, A. Skinner, R. Thomas, A. Tanner, J. Macleod, N. Timpson & A. Boyd, “Participant acceptability of digital footprint data collection strategies: an exemplar approach to participant engagement and involvement in the ALSPAC birth cohort study”, International journal of population data science, vol. 5, 2022. doi: 10.23889/ijpds.v7i1.1728.

David Azcona, I-Han Hsiao, Alan F. Smeaton, “Detecting students-at-risk in computer programming classes with learning analytics from students’ digital footprints”, User Modeling and User-Adapted Interaction, vol. 2, pp. 759–788, 2019. doi: 10.1007/s11257-019-09234-7.

Stephen D. Weaver & Mark Gahegan, “Constructing, Visualizing, and Analyzing A Digital Footprint”, Geographical Review, vol. 97, no. 3, pp. 324–350/ 2007. doi: 10.1111/j.1931-0846.2007.tb00509.x.

С. Д. Бушуєв, Н. С. Бушуєва, Д. А. Бушуєв, Б. Ю. Козир, “Розвиток освітніх програм на основі їх цифрового сліду”. Інформаційні технології і засоби навчання, № 1 (87), c. 18–32, 2022. doi: 10.33407/itlt.v87i1.4832.

М. Пічкур, “Фокус результативності базового професійного етапу образотворчої підготовки майбутніх фахівців мистецьких спеціальностей”, Молодь і ринок, № 2 (181), с. 102–106, 2020. doi:10.24919/2308-4634.2020.200244.

М. О. Пічкур, Г. І. Сотська, І. І. Демченко, А. М. Король, А. М. Гордаш, “Митець інформаційного покоління: академічна і цифрова парадигма образотворчої підготовки у вищій школі”, Інформаційні технології і засоби навчання, том 79, № 5, с. 296–312, 2020. doi:10.33407/itlt.v79i5.2927.

Т. Глібова, “Формування інформаційної культури майбутніх художників-скульпторів у процесі навчання”. Сучасні проблеми художньої освіти в Україні, вип. 11–12, с. 14–16, 2017. [Електронний ресурс]. Доступно: http://nbuv.gov.ua/UJRN/Spkho_2017_11-12_6 Дата звернення: Січ. 11, 2023.

М. Пічкур, “Концепція образотворчої підготовки студентів мистецьких спеціальностей у закладах вищої освіти”, Наукові перспективи, № 5 (23), с. 453-468, 2022. doi: 10.52058/2708-7530-2022-5(23)-453-468.

О. О. Гончарова, “Темпоральні розриви в навчальному процесі в сучасній Україні: до питання нових викликів в умовах війни”, Освітній дискурс: збірник наукових праць, вип. 39 (1–3), с. 36–53, 2022. [Електронний ресурс]. Доступно: http://enpuir.npu.edu.ua/bitstream/handle/123456789/37702/Honcharova_36-53.pdf?sequence=1&isAllowed=y Дата звернення: Січ. 12, 2023.

Mark Coeckelbergh, “The Postdigital in Pandemic Times: a Comment on the COVID-19 Crisis and Its Political Epistemologies”, Postdigital Science and Education, vol. 2, pp. 547–550, 2020. doi:10.1007/s42438-020-00119-2.

S. Karabatak & M. Alanoğlu, “Faculty members' digital footprint experiences and digital footprint awareness”, Educational Academic Research, no. 44 (1), pp. 31–41, 2022. doi: 10.54614/AUJKKEF.2022.891924.

F. Girardin, F. Calabrese, F. D. Fiore, C. Ratti and J. Blat, “Digital Footprinting: Uncovering Tourists with User-Generated Content”, IEEE Pervasive Computing, vol. 7, no. 4, pp. 36–43, 2008. doi: 10.1109/MPRV.2008.71.

A. N. Markham, “Qualitative inquiry in the digital age”, Manuscript submitted for publication, 2020. [Електронний ресурс]. Доступно: https://www.academia.edu/43155021/QUALITATIVE_RESEARCH_IN_THE_DI Дата звернення: Січ. 08, 2023.

Katalin Feher, “Digital identity and the online self: Footprint strategies – An exploratory and comparative research study”, Journal of Information Science, vol. 47, issue 2, pp. 192–205, 2019. doi:10.1177/0165551519879702.

J. Hefhaf & N. Rebord, “Dispositif d’évaluation de la pratique enseignante sur traces audiovisuelles”, Évaluer. Journal international de recherche en éducation et formation, Numéro Hors-série, vol. 1, pp. 155–163, 2020. [Електронний ресурс]. Доступно: https://journal.admee.org/index.php/ejiref/article/view/228/13 Дата звернення: Січ. 10, 2023.

О. О. Кайдановська, “Портфоліо у професійній діяльності та освіті архітектора”, Вісник Національного університету “Львівська політехніка”. Серія: Архітектура, № 757, с. 89–96, 2013. [Електронний ресурс]. Доступно: http://nbuv.gov.ua/UJRN/VNULPARX_2013_757_15 Дата звернення: Січ. 17, 2023.

Дистанційне навчання в умовах карантину. [Електронний ресурс]. Доступно: https://artka.ck.ua/education/remote/ Дата звернення: Січ. 17, 2023.


REFERENCES (TRANSLATED AND TRANSLITERATED)

Y. Surmelioglu & S. S. Seferoglu, “An examination of digital footprint awareness and digital experiences of higher education students”, World Journal on Educational Technology: Current Issues, vol. 11 (1), pp. 48–64, 2019. doi: 10.18844/wjet.v11i1.4009. (in English)

Mar Camacho, Janaina Minelli, Gabriela Grosseck, “Self and identity: Raising undergraduate students’ awareness on their digital footprints”, Procedia Social and Behavioral Sciences, vol. 46, pp. 3176–3181, 2012. doi: 10.1016/j.sbspro.2012.06.032. (in English)

J. Hinds & A. Joinson, “Human and Computer Personality Prediction From Digital Footprints”, Current Directions in Psychological Science, vol. 28 (2), pp. 204–211, 2019. doi: 10.1177/0963721419827849. (in English)

N. Songsom, N. Pilsook, P. Wannapiroon, Ch. Fung & K. Wong, System “Design of a Student Relationship Management System Using the Internet of Things to Collect the Digital Footprint” International Journal of Information and Education Technology, vol. 10, no. 3, pp. 222–226, 2020. doi:10.18178/ijiet.2020.10.3.1367. (in English)

Baoqi Wang, “The Application of Modern Computer-Aided Technology in Fine Art Education”, Security and Communication Networks, 2022. doi: 10.1155/2022 /8038178. (in English)

Maureen McDermot, “Digital footprints: Creation, implication, and higher education”, FDLA Journal, vol. 3, аrticle 11, 2018. [Online]. Available: https://nsuworks.nova.edu/fdla-journal/vol3/iss1/11. Accessed: Jan., 05, 2023. (in English)

K. Shiells, N. Di Cara, A. Skatova, O. Davis, C. Haworth, A. Skinner, R. Thomas, A. Tanner, J. Macleod, N. Timpson & A. Boyd, “Participant acceptability of digital footprint data collection strategies: an exemplar approach to participant engagement and involvement in the ALSPAC birth cohort study”, International journal of population data science, vol. 5, 2022. doi:10.23889/ijpds.v7i1.1728. (in English)

David Azcona, I-Han Hsiao, Alan F. Smeaton, “Detecting students-at-risk in computer programming classes with learning analytics from students’ digital footprints”, User Modeling and User-Adapted Interaction, vol. 2, pp. 759–788, 2019. doi: 10.1007/s11257-019-09234-7. (in English)

Stephen D. Weaver & Mark Gahegan, “Constructing, Visualizing, and Analyzing A Digital Footprint”, Geographical Review, vol. 97, no. 3, pp. 324–350/ 2007. doi: 10.1111/j.1931-0846.2007.tb00509.x. (in English)

S. D. Bushuiev, N. S. Bushuieva, D. A. Bushuiev, B. Yu. Kozyr, “Development of Educational Programs on the Basis of their Digital Footprint”. Information Technologies and Learning Tools, № 1 (87),

pp. 18–32, 2022. doi:10.33407/itlt.v87i1.4832. (in Ukrainian)

M. Pichkur, “The Focus of Effectiveness of the Basic Professional Stage of Fine Art Training for Would-Be Professionals of Art Specialties”, Youth and the Market, № 2 (181), pp. 102–106, 2020. doi: 10.24919/2308-4634.2020.200244. (in Ukrainian)

M. O. Pichkur, H. I. Sotska, I. I. Demchenko, A. M. Korol, A. M. Hordash, “The Artist of informative Generation: Academic and Digital Paradigm of fine Art Training in a Higher Educational Establishment”, Information Technologies and Learning Tools, vol. 79, № 5, pp. 296–312, 2020. doi:10.33407/itlt.v79i5.2927. (in Ukrainian)

T. Hlibova, “Formation of information Culture of future Artists-sculptors in the Process of Training”. Contemporary Problems of Art Education in Ukraine, vol. 11–12, pp.14–16, 2017. [Online]. Available: http://nbuv.gov.ua/UJRN/Spkho_2017_11-12_6. Accessed: Jan.,11, 2023. (in Ukrainian)

M. Pichkur, “Art Training Conception of Art Specialties Students at inst itutions of higher Education”, Scientific Perspectives, № 5 (23), pp. 453–468, 2022. doi: 10.52058/2708-7530-2022-5(23)-453-468. (in Ukrainian)

O. O. Honcharova, “Temporal Gaps in the educational Process in modern Ukraine: to the Question of new Challenges in war Conditions”, Educational Discourse: a Collection of scientific Works, vol. 39 (1–3),

pp. 36–53, 2022. [Online]. Available: http://enpuir.npu.edu.ua/bitstream/handle/123456789/37702/Honcharova_36-53.pdf?sequence=1&isAllowed=y. Accessed: Jan,12, 2023. (in Ukrainian)

Mark Coeckelbergh, “The Postdigital in Pandemic Times: a Comment on the COVID-19 Crisis and Its Political Epistemologies”, Postdigital Science and Education, vol. 2, pp. 547–550, 2020. doi: 10.1007/s42438-020-00119-2. (in English)

S. Karabatak & M. Alanoğlu, “Faculty members' digital footprint experiences and digital footprint awareness”, Educational Academic Research, no. 44 (1), pp. 31–41, 2022. doi: 10.54614/AUJKKEF.2022.891924. (in English)

F. Girardin, F. Calabrese, F. D. Fiore, C. Ratti and J. Blat, “Digital Footprinting: Uncovering Tourists with User-Generated Content”, IEEE Pervasive Computing, vol. 7, no. 4, pp. 36–43, 2008. doi: 10.1109/MPRV.2008.71. (in English)

A. N. Markham, “Qualitative inquiry in the digital age”, Manuscript submitted for publication, 2020. [Online]. Available: https://www.academia.edu/43155021/QUALITATIVE_RESEARCH_IN_THE_DI. Accessed: Jan., 08, 2023. (in English)

Katalin Feher, “Digital identity and the online self: Footprint strategies – An exploratory and comparative research study”, Journal of Information Science, vol. 47, issue 2, pp. 192–205, 2019. doi:10.1177/0165551519879702. (in English)

J. Hefhaf & N. Rebord, “Dispositif d’évaluation de la pratique enseignante sur traces audiovisuelles”, Évaluer. Journal international de recherche en éducation et formation, Numéro Hors-série, vol. 1,

pp. 155–163, 2020. [Online]. Available: https://journal.admee.org/index.php/ejiref/article/view/228/13 Accessed: Jan.,10, 2023. (in Italian)

O. O. Kaidanovska, “Portfolio in the professional Activity and Education of an Architect”, Bulletin of the National University “Lviv Polytechnic”. Series: Architecture, № 757, pp. 89–96, 2013. [Online]. Available: http://nbuv.gov.ua/UJRN/VNULPARX_2013_757_15 Accessed: Jan., 17, 2023. (in Ukrainian)

Distance learning in quarantine conditions. [Online]. Available: https://artka.ck.ua/education/remote/ Accessed: Jan. 04, 2023. (in Ukrainian)

Creative Commons License

This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.

Copyright (c) 2023 Микола Олександрович Пічкур, Лілія Іванівна Полудень, Ірина Іванівна Демченко, Галина Іванівна Сотська

Downloads

Download data is not yet available.