PRESENTATION OF VISUAL LITERACY IN THE EDUCATIONAL PROCESS AND ITS EXPLICATION IN THE CULTURE OF THINKING
PDF (Ukrainian)

Keywords

visual culture
visual literacy
education
information

How to Cite

[1]
V. V. Ilyin, “PRESENTATION OF VISUAL LITERACY IN THE EDUCATIONAL PROCESS AND ITS EXPLICATION IN THE CULTURE OF THINKING”, ITLT, vol. 75, no. 1, pp. 1–12, Feb. 2020, doi: 10.33407/itlt.v75i1.3660.

Abstract

The article highlights the creativity and features of the use of visual literacy, which has become relevant in the era of development of information and computer technologies, the introduction of which in education brings it to the level of modern requirements. The analysis of the «visual turn» is made; its result is a visual culture. In its context, a complex of scientific studies on visual problems is developing, the solution of which shows how to process visual information, the use of visual perception in the processes of education and communication, as well as argumentation techniques based on visual information. The influence of visualization on education, which is now based not on language, but on multimedia screen communication, which forms contemporary literacy, is emphasized. It is noted that the 21st century multimodal literacy, capable of quick and creative interpretation, means learning with its own design rules, aimed at real-time interactive communication, includes the ability to use media to trigger emotional reactions, and has the potential to change learning modes, methods, technologies, and forms. Key academic achievements of our time are indicated: digital age literacy; basic, scientific, economic, technological, visual, informational, multicultural literacy and global awareness; inventive thinking; effective communication; high performance. The article reveals the authors’ understanding of visual literacy as the way to perceive and use visual images, including the individual’s ability to think, learn and express thoughts in images. This means the perception of logic, emotions and meanings that are contained in visual information, as well as the ability to produce images in communication.

It is noted that visually literate pupils and students have practical knowledge of creating and reproducing visual information in digital media, and are also productive visual communicators who think in accordance with the demands of digital reality.

The visual orientation of modern educational and pedagogical practices is due to the development of information and computer technologies that generate screen-like reality.

PDF (Ukrainian)

References

Unflattening: How a Dissertation in Comics Form Reimagined Scholarship and Academic Writing: [Електронний ресурс]. Доступно: https:/English.princeton.edu/events/unflattening_how-dissertation-comics-form-reimagined-scholarship-and-academic-writing. Дата звернення: Листоп. 3, 2017.

Н. Череповська, «Візуальна медіакультура: розвиток критичного мислення і творчого сприймання». К.: Міленіум, с. 117, 2014.

W.J.T. Mitchell, «What do Pictures want? The Lives and Loves of Images». Chicago: The University of Chicago Press, 380 p., 2005.

N. Mirzoeff, «An Introduction to Visual Culture». New York: Rout ledge, c. 274, 1999.

M. Dikovitskaya, «Visual Culture: The Study of the Visual after the Cultural Turn». Massachusetts: MIT Press, 316 p., 2005.

J. Elkins, «Visual Studies. A Skeptical Introduction». New York: Routledge, 231 p., 2003.

N. Bryson, «The Gaze in the Expanded Field». Vision and Visuality; [Edited by Hal Foster]. Seattle: Bay Press, P. 87-108, 1988.

M. Jay, «Cultural relativism and the visual turn». Journal of Visual Culture, No. 1(3), P. 267-287, 2002.

M. Sturken, «Practices of Looking: An Introduction in Visual Culture». New York: Oxford University Press, 496 p., 2001.

B. Sandywell, «Dictionary of Visual Discourse: a Dialectical Lexicon of Terms». New York: Ashgate, 702 p., 2011.

Т. Рид, «Исследование человеческого ума на принципах здравого смысла». Санкт-Петербург: Алетейя, 352 с., 2000.

F. Fellmann, «Symbolischer Pragmatismus. Hermeneutik nach Dilthey». Reinbek bei Hamburg: Rowohlt Taschenbuch Verl., 223 p., 1991.

G. Boehm, «Ikonische Wendung». Was is ein Bild. München: Wilhelm Fink, 1995.

D.M. Levin, «The Philosopher’s Gaze: Modernity in the Shadows of Enlightenment». Berkeley; Los-Angeles; Oxford, 502 p., 1999.

Е.В. Батаева, «Видимое общество. Теория и практика социальной визуалистики». Х.: ФЛП Лысенко И.Б., с. 349, 2013.

S. Pink, «Future of Visual Anthropology: Engaging the Senses». London: New York: Routledge, 166 p., 2006.

Е. Ярская-Смирнова, «Герои и тунеядцы: иконография инвалидности в советском визуальном дискурсе». М.: ООО «Вариант», С. 289-332, 2009.

Г.В. Ільїна, «Ґенеза культури мислення: логос, раціо, візіо»: монографія». Київ, Ніжин: Видавець П.П. Лисенко М.М., с. 368, 2018.

М. Ямпольский, «Ткач и визионер: Очерки истории репрезентации, или О материальном и идеальном в культуре». М.: Новое литературное обозрение, 616 с., 2007.

J. Berger, «Ways of Seeing». London : British Broadcasting Corporation and Pinguin Books, 166 p., 1972.

E. Grabiner, «Making Thought Visible: The Practice of the Artist». Union Institute and University, ProQuest Dissertations Pub¬lishing, 217 p., 2007.

Ф. Джеймісон, «Постмодернізм, або Логіка культури пізнього капіталізму». К.: Вид-во «Курс», с. 504, 2008.

«Vision and Visuality». Edited by Hal Foster. Seattle: Bay Press, 135 p., 1988.

Г. Шалашенко, «Феномен та дискурс: роль антропологічних переконань у науках про культуру та суспільство». Філософські діалоги’2015. Філософія. Культура. Суспільство: зб. наук. праць. К.: Ін-т філософії ім. Г.С. Сковороди НАН України, с. 77-85, 2015.

П.Г. Щедровицкий, «Изменения мышления на рубеже ХХІ столетия: социально-культурные вызовы». Вопросы философии. № 1. с. 36-54, 2007.

Ж. Диди-Юберман, «То, что мы видим, то, что смотрит на нас». СПб.: Наука, с. 263, 2001.

П. Бурдье, «О телевидении и журналистике». М.: Фонд научных исследований «Прагматик культуры», с. 160, 2002.

М. Маклюэн, «Понимание Медиа: Внешние расширения человека». М.: «Канон-пресс-Ц», «Кучково поле», с. 464, 2003.

Е.Н. Князева, «Энактивизм: новая форма конструктивизма в эпистемологии». М.: СПб.: Центр гуманитарных инициатив; Университетская книга, с. 352, 2014.

Е.А. Басин, «Искусство и воображение». М.: Слово, с. 358, 2011.

D. Hattwig, K. Bussert, A. Medaille, J. Burgess .Visual Literacy Standards in Higher Education: an Opportunities for Libraries and Student Learning . Libraries and the Academy, Vol. 13, No. 1 (2013). рp. 61-89.

Global Imperative: The Report of 21 Century Literacy Summit. MMC: The New Media Concircium, 2005. [Електронний ресурс]. Доступно: https://www.umc.org/pdf/ Global¬_Imperative.pdf.

U. Boden, & L. Stenliden, Emerging Visual Literacy through Enactments by Visual Analytics and Students. Designs for Learning, 11 (1), pp. 40-50. [Електронний ресурс]. Доступно: http://www.designsforlearning.nu/article/10.16993/dfl.108/. doi: http://doi.org/10.16993/dfl.108


REFERENCES (TRANSLATED AND TRANSLITERATED)

Unflattening: How a Dissertation in Comics Form Reimagined Scholarship and Academic Writing: [Online]. Available: https:/English.princeton.edu/events/unflattening_how-dissertation-comics-form-reimagined-scholarship-and-academic-writing. Accessed on: November 3, 2017. (in English)

N. Cherepovs’ka, «Visual media culture: the development of critical thinking and creative perception». K.: Milenium, s. 117, 2014. (in Ukrainian)

W.J.T. Mitchell, «What do Pictures want? The Lives and Loves of Images». Chicago: The University of Chicago Press, 2005. (in English)

N. Mirzoeff, «An Introduction to Visual Culture». New York: Rout ledge, p. 274, 1999. (in English).

M. Dikovitskaya, «Visual Culture: The Study of the Visual after the Cultural Turn». Massachusetts: MIT Press, 2005. (in English)

J. Elkins, «Visual Studies. A Skeptical Introduction». New York: Routledge, 2003. (in English).

N. Bryson, «The Gaze in the Expanded Field». Vision and Visuality; [Edited by Hal Foster]. Seattle: Bay Press, pp. 87-108, 1988. (in English)

M. Jay, «Cultural relativism and the visual turn». Journal of Visual Culture, no. 1(3), pp. 267-287, 2002. (in English)

M. Sturken, «Practices of Looking: An Introduction in Visual Culture». New York: Oxford University Press, 2001. (in English)

B. Sandywell, «Dictionary of Visual Discourse: a Dialectical Lexicon of Terms». New York: Ashgate, 2011. (in English)

Т. Rid, «The Study of the Human Mind on the Basis of Common Sense». Sankt-Peterburg: Aleteyya, 2000. (in Russian)

F. Fellmann, «Symbolischer Pragmatismus. Hermeneutik nach Dilthey». Reinbek bei Hamburg: Rowohlt Taschenbuch Verl., 1991. (in English)

G. Boehm, «Ikonische Wendung». Was is ein Bild. München: Wilhelm Fink, 1995. (in German)

D.M. Levin, «The Philosopher’s Gaze: Modernity in the Shadows of Enlightenment». Berkeley; Los-Angeles; Oxford, 502 p., 1999. (in English)

Ye.V. Batayeva, «Visible society. Theory and practice of social visualism». KH.: FLP Lysenko I.B., 2013. (in Russian)

S. Pink, «Future of Visual Anthropology: Engaging the Senses». London: New York: Routledge, 2006. (in English)

Ye. Yarskaya-Smirnova, «Heroes and parasites: an iconography of disability in Soviet visual discourse». М.: ООО «Variant», pp. 289-332, 2009. (in Russian)

H.V. Il’yina, «Genesis of the culture of thinking: logo, ration, vision», monohraph, Kyiv, Nizhyn: Vydavets’ P.P. Lysenko M.M., 2018. (in Ukrainian)

M. Yampol'skiy, «Weaver and Visionary: Essays on the History of Representation, or On the Material and Ideal in Culture». М.: Novoye literaturnoye obozreniye, 2007. (in Russian)

J. Berger, «Ways of Seeing». London : British Broadcasting Corporation and Pinguin Books, 1972. (in English)

E. Grabiner, «Making Thought Visible: The Practice of the Artist». Union Institute and University, ProQuest Dissertations Pub¬lishing, 2007. (in English)

F. Dzheymison, «Postmodernism, or the Logic of the Culture of Late Capitalism». K.: Vyd-vo «Kurs», 2008. (in Ukrainian)

H. Foster (Ed.), «Vision and Visuality», Seattle: Bay Press, 1988. (in English)

H. Shalashenko, «Phenomenon and discourse: the role of anthropological beliefs in the sciences of culture and society». Filosofs’ki dialohy’2015. Filosofiya. Kul’tura. Suspil’stvo: zb. nauk. prats’. K.: In-t filosofiyi im. H.S. Skovorody NAN Ukrayiny, pp. 77-85, 2015. (in Ukrainian)

P.G. Shchedrovitskiy, «Changes in Thinking at the Turn of the 21st Century: Social and Cultural Challenges». Voprosy filosofii, no. 1, pp. 36-54, 2007. (in Russian)

ZH. Didi-Yuberman, «What we see, what looks at us». SPb.: Nauka, 2001. (in Russian)

P. Burd’ye, «About television and journalism». M.: Fond nauchnykh issledovaniy «Pragmatik kul’tury», 2002. (in Russian)

M. Maklyuen, «Understanding Media: Human External Extensions». M.: «Kanon-press-TS», «Kuchkovo pole», 2003. (in Russian)

Ye.N. Knyazeva, «Anactivism: A New Form of Constructivism in Epistemology». M.: SPb.: Tsentr gumanitarnykh initsiativ; Universitetskaya kniga, 2014. (in Russian)

Ye.A. Basin, «Art and imagination». M.: Slovo, 2011. (in Russian)

D. Hattwig, K. Bassert, A. Medaille, and J. Burgess. Visual literacy Standards in Higher Education: an Opportunities for Libraries and Student Learming, Librariesandthe Academy, vol. 13, no. 1, pp. 61-89, 2013. (in English).

Global Imperative: The Report of 21 Century Literacy Summit. MMC: The New Media Concircium, 2005. [Online]. Available: https://www.umc.org/pdf/ Global¬_Imperative.pdf. (in English)

U. Boden, and L. Stenliden, Emerging Visual Literacy through Enactments by Visual Analytics and Students. Designs for Learning, 11 (1), pp. 40-50, doi: http://doi.org/10.16993/dfl.108. (in English)

Authors who publish in this journal agree to the following terms:

  1. Authors hold copyright immediately after publication of their works and retain publishing rights without any restrictions.
  2. The copyright commencement date complies the publication date of the issue, where the article is included in.

Content Licensing

  1. Authors grant the journal a right of the first publication of the work under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License (CC BY-NC-SA 4.0) that allows others freely to read, download, copy and print submissions, search content and link to published articles, disseminate their full text and use them for any legitimate non-commercial purposes (i.e. educational or scientific) with the mandatory reference to the article’s authors and initial publication in this journal.
  2. Original published articles cannot be used by users (exept authors) for commercial purposes or distributed by third-party intermediary organizations for a fee.

Deposit Policy

  1. Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) during the editorial process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (see this journal’s registered deposit policy at Sherpa/Romeo directory).
  2. Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
  3. Post-print (post-refereeing manuscript version) and publisher's PDF-version self-archiving is allowed.
  4. Archiving the pre-print (pre-refereeing manuscript version) not allowed.

Downloads

Download data is not yet available.